Home Entertainment Year in Review: 10 Ghanaian artists who released stunningly produced songs in...

Year in Review: 10 Ghanaian artists who released stunningly produced songs in 2023

Call us


2023 brought forth some impressive improvements in the craft of most Ghanaian artists, especially in the production of their songs.

The year was marked by great hits from Black Sherif, King Promise, OlivetheBoy, Shatta Rako, Kuami Eugene, Mr Drew, Stonebwoy and Sefa.

However, this article will focus on 10 Ghanaian artists who released technically stunningly produced songs in 2023.

This shortlist is not based on streaming numbers but on their sheer technical brilliance.

Below is the list of the 10 Ghanaian artists in no particular order.

1. Shatta Rako – Sika:

Rexford Kojo Amoah, known as Shatta Rako, weaves intricate percussion and a hypnotic bassline into a mesmerizing foundation for his smooth vocals in “Sika.” This Dancehall song infused with Highlife melodies highlights the importance of loyalty and truth in tough times. The song was engineered by Shatta Rako and Kaysam Teknik

2. Kuame Eugene – Monica:

Known for his infectious melodies, Kuame Eugene takes things up a notch with “Monica.” Sparkling synths and a groove guaranteed to move your feet elevate the emotional impact of his lyrics.

Engineered by Kuami Eugene, “Monica” is a song that showcases the multiple award-winning Highlife artist’s unique style and impeccable flow.

The track is a perfect representation of his ability to deliver hard-hitting. More so, the euphony happens to be the second track off his much-anticipated studio album tagged, Love and Chaos, which he discloses in the year 2023, for the general public.

3. King Promise – Terminator:

This dynamic track showcases King Promise’s versatility as he blends Afrobeats influences with a touch of electronica. Imagine the swagger of Afrobeats infused with the coolness of futuristic soundscapes, all wrapped around King Promise’s signature charm.

4. Amerado – Kweku Asanse remix:

Amerado’s “Kweku Asanse” remix is a lyrical masterpiece that blends the legacy of the famous folklore character Kwaku Ananse with contemporary rap storytelling. He embodies Kwaku Ananse’s persona, weaving clever wordplay and storytelling into an immersive narrative. The song was engineered by Izjoe Beatz

5. Akwaboah – My Darling:

Akwaboah returns to his roots with “My Darling,” a simple yet endearing title that conveys deep affection. Produced by KC Beats, the song is a touch of soulful nostalgia with modern production finesse.

6. Abiana – African Highlife:

Beautifully crooned, Abiana’s “Highlife” reimagines the classic Ghanaian genre with a fresh twist. From the first note, the song invites audiences into a world of feel-good music, where each element is meticulously crafted to create an immersive sonic experience.

7. Adina ft. Kofi Kinaata – Party:

Adina Thembi’s “Party” featuring Kofi Kinaata is a vibrant tapestry of genres, instantly inviting you to let go and embrace the present moment. The infectious melodies, irresistible beats, and a groove that demands movement make it the soundtrack to any party.

8. Joseph Matthew – Promise Land:

A rising star in the Ghanaian gospel music scene, Joseph Matthew inspires faith and resilience with “Promise Land.” This soul-inspiring ballad, produced by Francis Osei, speaks to the heart of anyone who has ever felt lost or discouraged.

9. Stonebwoy ft. Angelique Kidjo – Manodzi:

“Manodzi” translates to “holding on” or “perseverance” in Ewe, and the lyrics reflect this meaning as Stonebwoy and Kidjo sing about overcoming challenges and staying true to one’s roots. The production by Mix Master Garzy masterfully blends traditional Ghanaian sounds with contemporary elements.

10. Perez Musik – Kaafo:

Frank Tagoe, better known as Perez Musik, has been leading the charge in Ghanaian gospel music. “Kaafo,” meaning “Don’t Cry” in Ga, stands against depression, rejection, and heartbreak. Crooned in a slow-tempo vein, this Sponkeys-produced song is a powerful message of hope and faith.



Source link